Rafiq Bhatia

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Kelly Deasy - kdeasy@outermostagency.com

BIO

The New York Times proclaims "Rafiq Bhatia is writing his own musical language," describing him as "a guitarist who refuses to be pinned to one genre, culture or instrument." "His transient approach, combined with his obsession of assiduously studying the past in order to break cleanly from it, makes him one of the most intriguing figures in music today."

Bhatia's 2018 album Breaking English (Anti- Records) finds a visceral common ground between ecstatic avant-jazz, mournful soul, tangled strings and building-shaking electronics, resulting in a "stunningly-focused new sound" (Chicago Reader) that “resemble[s] science fiction on a blockbuster scale” (Washington Post). His 2020 EP, Standards Vol. 1 (Anti-) renders repertoire from the American songbook "completely deconstructed, infused with brand new textures and electronic effects, dreamlike and beautiful" (BBC).

Since 2014, Bhatia has been a member of the trio Son Lux; together, they have released several critically-acclaimed albums and given hundreds of performances internationally. A voracious collaborator, Bhatia has also worked with a multitude of artists across generations and musical communities, including Arooj Aftab, Holland Andrews, Hanna Benn, Ian Chang, Sam Dew, Dave Douglas, Marcus Gilmore, Mary Halvorson, Billy Hart, Shahzad Ismaily, Vijay Iyer, Kassa Overall, Kronos Quartet, Okkyung Lee, Nina Moffitt, Qasim Naqvi, Kassa Overall, Chris Pattishall, Cécile McLorin Salvant, Valgeir Sigurðsson, Alex Somers, Moses Sumney, Anjna Swaminathan, Rajna Swaminathan, and David Virelles.

PRESS

"Rafiq Bhatia has a gift for turning expectations inside out. In his hands, the guitar sounds less like a melodic tool of rock bands and more like a mythical beast, coaxing out growls and roars and gurgling shrieks instead of notes.” — NPR

"He treats his guitar, synthesizers, drum machines, and electronic effects as architectural elements — sound becomes contour; music becomes something to step into rather than merely follow.” — The New York Times

"[Bhatia's] music manages to marry the busyness and vibrancy of jazz and the sparseness and sparkle of electronic music.” — BBC