Sonya Tayeh

ARTIST LINKS

RESPONSIBLE AGENT

Barbara Frum - bfrum@outermostagency.com

BIO

Sonya Tayeh is a New York City based TONY® Award winning choreographer and director. Since paving her professional career, her work has been characterized as a blend of powerful versatility and theatrical range.

Selected credits include: Moulin Rouge! Broadway, Australia, UK, Tour (Hirschfeld theatre/Dir Alex Timbers), Sing Street Broadway (Lyceum Theatre/Dir Rebecca Taichman), Martha Graham Dance Company(Joyce Theatre/Tour), American Ballet Theatre/What Becomes of Love Film, Unveiling with Moses and dancers (Fall For Dance/City Center), Rent Live! (Fox Network/Dir Michael Grief and Alex Rudzinski), The Lucky Ones (Ars Nova/Dir. Anne Kauffman), Face the Torrent for Malpaso Dance Co. (commissioned by The Music Center/LA), You'll Still Call Me By Name (commissioned by New York Live Arts and Jacobs Pillow Dance Festival), Martha Graham Dance Company's Lamentation Variation Series (Joyce Theatre), Hundred Days (New York Theatre Workshop/Dir. Anne Kauffman), The Skin Of Our Teeth (Theatre for a New Audience/Dir. Arin Arbus), Andrew Lippas' The Wild Party (City Center Encores!/Dir. Leigh Silverman), Kung Fu (Signature Theatre/Dir. Leigh Silverman)

Tayeh has directed and choreographed for world renowned music artists including Miley Cyrus (Directed and Choreographed The Gypsy Heart Tour), Florence and the Machine (Choreographed performances for The Brit Awards, The Voice and American Idol), Kyle Minogue (Aphrodite Tour)

She has gleaned many accolades for her versatile work, including a Tony award, two Emmy noms, one Drama Desk award, an Obie Award and two Lucille Lortel Awards for “Outstanding Choreography.”

PRESS

“Ms. Tayeh’s choreography — expertly performed by a delightful and delighted polymorphous ensemble — is a perpetual motion machine of often bruising sensuality. Standard period fare like the cancan (bien sûr) and La Danse Apache is reinterpreted with electric wit.” - New York Times

“Sonya Tayeh’s you’ll still call me by name swerves between busyness and calm, noisiness and silence, ecstasy and despair. It’s also hugely entertaining with no qualms about sucker punching you in the gut with its overt emotion. So succumb.” - Dance Enthusiast

“Tayeh invents astonishing moves and chameleon choreography” - Variety